* A crime usually takes place at the core of the narrative (often murder).
* A complex narrative structure, with false clues and resolutions (red herrings).
* A narrative pattern of establishing enigma's which the viewer expects to be resolved.
* A protagonist who is systematically dis empowered and drawn into a complex web of intrigue by the protagonist.
*Extra ordinary events happening in ordinary situations
*Themes Of Identity
*Themes of Mirroring
*Themes Of Voyeurism
* A protagonist with a flaw which is exploited by the antagonist.
*The title sequence often reflects an aspect of characters physiological state.
*Their is often a scene at the end of the film where the protagonist is in danger.
*Mis-en-scene which echo's or mirrors the protagonists right.
* A complex narrative structure, with false clues and resolutions (red herrings).
* A narrative pattern of establishing enigma's which the viewer expects to be resolved.
* A protagonist who is systematically dis empowered and drawn into a complex web of intrigue by the protagonist.
*Extra ordinary events happening in ordinary situations
*Themes Of Identity
*Themes of Mirroring
*Themes Of Voyeurism
* A protagonist with a flaw which is exploited by the antagonist.
*The title sequence often reflects an aspect of characters physiological state.
*Their is often a scene at the end of the film where the protagonist is in danger.
*Mis-en-scene which echo's or mirrors the protagonists right.
No comments:
Post a Comment